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Danish Siddiqui and the people behind the story

Danish Siddiqui, the Reuters journalist killed in crossfire last Friday covering the war in Afghanistan, was a largely self-taught photographer who scaled the heights of his profession while documenting wars, riots and human suffering. By Raju Gopalakrishnan and Mike Collett-White

  • A participant flies a tiger shaped kite during the International Kite Festival in Mumbai, 8 January 2014 (photo: REUTERS/Danish Siddiqui)
    "Ninety percent of the photography I have learnt has come from experimentation in the field," Siddiqui once wrote
  • A Muslim man walks hand in hand with children at a beach as monsoon clouds gather in Mumbai, 22 July 2011 (photo: REUTERS/Danish Siddiqui)
    Ahmad Danish Siddiqui was born on May 19, 1983. He became a journalist after a Master's degree in Mass Communications from Delhi's Jamia Milia Islamia University
  • Workers from various trade unions shout slogans as they try to block a road during a strike in Mumbai, 20 February 2013 (photo: REUTERS/Danish Siddiqui)
    Friends and colleagues described a man who cared deeply about the stories he covered, carrying out meticulous research before embarking on assignments and always focusing on the people caught up in the news
  • An Afghan boy works at a construction site as a U.S. Army soldier of 3/1 AD Task Force Bulldog takes position during a joint patrol with Afghan National Army (ANA) in a village in Kherwar district in Logar province, eastern Afghanistan, 23 May 2012 (photo: REUTERS/Danish Siddiqui)
    Siddiqui joined Reuters after stints as a correspondent with the Hindustan Times newspaper and the TV Today channel. Siddiqui provided video and text from his assignments as well as photographs
  • Danish Siddiqui, a Reuters photographer based in India, poses for a picture at Columbia University's Low Memorial Library during the Pulitzer Prize giving ceremony, in New York, U.S., 30 May 2018 (photo: REUTERS/Mohammad Ponir Hossain)
    He was part of the team that was awarded the Pulitzer Prize for Feature Photography in 2018 for documenting Myanmar's Rohingya refugee crisis
  • An exhausted Rohingya refugee woman touches the shore after crossing the Bangladesh-Myanmar border by boat through the Bay of Bengal, in Shah Porir Dwip, Bangladesh, 11 September 2017 (photo: REUTERS/Danish Siddiqui)
    The judging committee described the series "shocking photographs that exposed the world to the violence Rohingya refugees faced in fleeing Myanmar"
  • A Rohingya refugee man pulls a child as they walk to the shore after crossing the Bangladesh-Myanmar border by boat through the Bay of Bengal in Shah Porir Dwip, Bangladesh, 10 September 2017 (photo: REUTERS/Danish Siddiqui)
    "What I enjoy most is capturing the human face of a breaking story. I shoot for the common man who wants to see and feel a story from a place where he can't be present himself"
  • Three-year-old homeless boy Sarwar sleeps in a hammock along a sidewalk in Mumbai, 7 March 2012 (photo: REUTERS/Danish Siddiqui)
    "Even in breaking news cycles he would think about humanizing a story, and you see that so often in his pictures, including those that won the Pulitzer and stories we have done in the last few years," said Devjyot Ghoshal, a Reuters correspondent based in New Delhi and one of Siddiqui's neighbours
  • Reuters photographer Danish Siddiqui takes pictures as fireworks explode during a procession to mark Eid-e-Milad-ul-Nabi, birthday celebrations for the Prophet Muhammad, in Mumbai, India, 16 February 2011 (photo: REUTERS/Vivek Prakash)
    A Reuters photographer since 2010, Siddiqui's work has spanned wars in Afghanistan and Iraq, the Rohingya crisis, pro-democracy protests in Hong Kong and unrest in India
  • People wait to cremate victims who died due to the coronavirus disease (COVID-19), at a crematorium ground in New Delhi, India, 23 April 2021 (photo: REUTERS/Danish Siddiqui)
    In recent months, his searing photographs capturing the coronavirus pandemic in India have spread across the world
  • Hindu devotee wraps his cloth after a ritual dip in the polluted Yamuna river in New Delhi, 21 March 2010 (photo: REUTERS/Danish Siddiqui)
    "Covering the Delhi riots together and the COVID-19 pandemic more recently – his most compelling images were about people, isolating the human element"
  • A member of the Afghan Special Forces keeps a watch as others search a house during a combat mission against Taliban, in Kandahar province, Afghanistan, 12 July 2021 (photo: REUTERS/Danish Siddiqui)
    On his final assignment in mid-July 2021, he was embedded with Afghan special forces in the city of Kandahar. He captured the drama in pictures, film and words. He never returned. Siddiqui, 38, is survived by his wife Rike and two young children
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