Most recent articles by Schayan Riaz
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Interview with journalist and performance artist Michel Abdollahi
"People with dark hair always have to go the extra mile"
Journalist Michel Abdollahi was born in Tehran in 1981 and moved to Hamburg in 1986. His big breakthrough came with his television documentaries on social issues such as integration, racism and right-wing populism. He spoke to Qantara.de about his book "Deutschland schafft mich!" (Done away with by Germany – What happened when I found out I wasn't German after all)
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Book review: Riad Sattouf’s graphic novel "The Arab of the Future"
Between worlds
Despite his main focus being on his childhood and youth, spent between East and West, Riad Sattouf also describes the current state of the Arab world in his much-lauded graphic novel series "The Arab of the Future". By Schayan Riaz
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Haifaa Al-Mansourʹs ʺThe Perfect Candidateʺ
When the patriarchy has better things to do
Haifaa Al-Mansour’s new film follows on from her successful debut, ʺWajdaʺ. In ʺThe Perfect Candidateʺ, the talented Saudi filmmaker again addresses the issue of equality. It’s her best work to date, says Schayan Riaz
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Documentary film: "For Sama"
The girl from a country in ruins
"For Sama", the film by Waad al-Kateab and Edward Watts that was crowned best European documentary at the last European Film Awards, gives us a very personal view of the war in Syria and the suffering of the civilian population. By Schayan Riaz
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Interview with Iranian-American poet Kaveh Akbar
Bridging the gap between outrage and fear
The renowned Iranian-American poet Kaveh Akbar writes in his poems about origin, religion – especially Islam, spirituality, the American dream and much more. Interview by Schayan Riaz
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Interview with film director Schokofeh Kamiz
"I was surprised she wasn't a bigger sensation"
In early 2015, Pakistani activist Sabeen Mahmud organised an event on missing Balochi activists in her cafe. Later that day, she was killed by two men on the streets of Karachi. The documentary film "After Sabeen" is a very personal portrait of the woman. Interview by Schayan Riaz
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Interview with Franco-Moroccan author Leila Slimani
"Treat right-wing extremists like children"
This year has seen the publication of both Leila Slimani’s debut novel "Adele" and her essay collection "Warum so viel Hass?" in German. The Franco-Moroccan author‘s work addresses big issues such as upbringing, class and race. In conversation with Schayan Riaz, she talks about her reception in different countries, never censoring herself, and the readers’ right to interpretation
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Interview with Indian-American author Fatima Farheen Mirza
"What kind of system are we trying to pass on?"
In her debut novel "A Place for Us" about an Indian-American Muslim family, Fatima Farheen Mirza conveys a universal and unique story, revealing the generation gap between the parents and their three children. In conversation with Schayan Riaz, the author talks about the lack of Muslim characters in fiction and moving out to become a writer
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Nabil Ayouchʹs "Razzia"
Soaked in sorrow
With his new film "Razzia", the French-Moroccan filmmaker Nabil Ayouch has once again turned to social criticism. Yet, his multi-perspective narrative about five misfortunate Moroccans never really takes off. By Schayan Riaz
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Mohamed Ben Attiaʹs "Dear Son"
O Sami, my son, my son
Of the many books, plays and films inspired by the story of the Islamic State movement, "Dear Son" by Tunisian director Mohamed Ben Attia offers something different. Far from the drama of the battlefield, he focuses on the anguish of the family that the fighter leaves behind. By Schayan Riaz
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Ziad Doueiriʹs film "The Insult"
A microcosm of Lebanese society
In Ziad Doueiri’s "The Insult", a Lebanese Christian and a Palestinian foreman in Beirut have an argument that lands them in court, and ultimately triggers civil war-like clashes between the two ethnic groups. By Schayan Riaz
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Interview with Iranian artist Shirin Neshat
The many faces of Oum Kulthum
In "Looking for Oum Kulthum", successful Iranian artist Shirin Neshat has created a highly personal work about the Egyptian singer. In conversation with Schayan Riaz, she talks about the political dimension of icons and the patriarchal nature of the film industry