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Dance

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  • Ballet performances are prohibited in Iran. In her film "1001 Nights Apart", director Sarvnaz Alambeigi documents the history of dance in the Islamic Republic.
    "1001 Nights Apart"

    Dancing for freedom in Iran

    Ballet performances are prohibited in Iran. In her film "1001 Nights Apart", director Sarvnaz Alambeigi documents the history of dance in the Islamic Republic. By Fahimeh Farsaie

  • Sufi shrine to Mustafa Devati in Istanbul.
    God's love for all

    Sufism is not just Muslim

    Sufism has fluid boundaries. Just like Islam, Sufism is inconceivable without its late antique roots. Then again, it has also exerted an influence on Hinduism. Moreover, the Sufic doctrine of divine love exists independently of Islam. By Stefan Weidner

  • Islam in Pakistan

    The land of the Sufis

    No country in the Islamic world is influenced as strongly by the traditions of Sufi culture as Pakistan. Yet the Sufis there have been under attack from Islamic hardliners for years. By Marian Brehmer

  • "Sufism is serious Islam. It is the heart and the fundamental core, the marrow of Islam. It is the station of excellence, purification, sincerity and devotion in all actions and works."
    Sufism in Morocco

    A cure for extremism?

    Morocco's Sufi traditions go back centuries. Now King Mohammed VI is trying to use them to combat extremism. His programme of reforms includes the promotion of Sufi movements and moderate Islamic thinkers. By Marian Brehmer

  • Egypt's tanoura puts kaleidoscopic spin on dervish tradition

    In a 500-year-old stone theatre in the Egyptian capital, two young dervishes spin ceaselessly. Slowly, then all at once, they are consumed in a flurry of vivid fabrics

  • Traditionally, the zar ritual – found in variations across parts of North Africa and the Middle East -- would last several days and include animal sacrifices.
    Egypt

    Ancient 'zar' ritual puts exorcism on stage

    A stage, lights, a mesmerised audience: it looks like an Egyptian folkloric concert, but Umm Sameh is singing to heal the sick by driving out the demons that possess them

  • Theatre in Pakistan

    "I just want to dance"

    Young performers in Lahore are shaping their lives outside the perceptions of Pakistani society, which views many art forms as obscene. As part of a new generation that hopes to change the country, they find themselves taking on conservative mullahs, censorship bodies and sometimes even their own families. By Karin A. Wenger with photos by Philipp Breu

  • Cairo's Al Darb Al Ahmar Art School

    The chance of a lifetime

    In early 2017, Cairo's Al Darb Al Ahmar Art School moved into new premises. Adjacent to the perimeter wall of the city's Azhar Park, the new building is also right next to the Genaina Theatre, venue for most of the school's performances. Islam Anwar has the details

  • Baghdad City of Peace Carnival

    Grassroots, green shoots

    An annual event shows what the Iraqi people want most of all: peace. Young people in Baghdad organise a major street carnival to set positive images against the daily news of violence and war. The event has also given rise to regular participation in civil society. By Eva-Maria Verfurth and Qayssar Alwardii

  • Male belly dancers in Turkey

    Shimmying, swaying and gyrating to the beat

    In Turkey, men are conquering the stage in the world of belly dance. The increasing popularity of male dancers is based on more than just the apparent novelty of their performances. In Istanbul, Cigdem Akyol met two belly dancers and spoke to them about their profession

  • Interview with the Egyptian choreographer Adham Hafez

    The disappearance of the kiss

    One of the highlights of Berlin's recent Return to Sender theatre festival was a performance of the futuristic piece "2065 BC" by the internationally renowned Egyptian choreographer Adham Hafez. Astrid Kaminski spoke to him about national identities and the arts scene in Cairo

  • Interview with the Egyptian theatre director Ahmed el-Attar

    "Art changes thought in the long term"

    Ahmed el-Attar founded the Studio Emad Eddin Foundation (SEE) in 2005. He is also the artistic director of D-Caf, the director of the Falaki Theatre, a producer, theatre director and playwright. In an interview with Barbara Kaufmann, he talks about the importance of having spaces where the arts can be freely explored and practised, about free theatre and about the appeal of contemporary dance in Egypt

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